Hardys novel The Mayor of Casterbridge Essays

Hardys novel The Mayor of Casterbridge Essays Hardys novel The Mayor of Casterbridge Paper Hardys novel The Mayor of Casterbridge Paper Essay Topic: Literature In Hardys novel, The Mayor of Casterbridge, the theme of Patriarchal Victorian morality is explored through the different characters. In light of Lucettas character, the extent to which it can be agreed that Hardy reveals his dissatisfaction with patriarchal Victorian morality will be discussed. Hardy uses Lucettas emotions to reveal his dissatisfaction with patriarchal Victorian morality. Lucetta is indeed an emotionally volatile character, who is lonely and in a way, desperate. In Henchards reminisces about Lucetta, it is learnt that they were involved in a highly scandalous affair which was off course, ruin to her. This is structurally important as first, the reader learns Henchards perspective, yet, she is then publically humiliated, which further captures her vulnerable character. The reader is encouraged to see Lucetta in a moral light. Additionally, we see her sympathising with Susan, as Lucetta does visit her grave. Hardy writes The personage was in mourning like herself, was about her age and size, and might have been her wraith or double and the imagery created through words such as mourning is important, as we see that Lucetta identifies the tragic circumstances of the life of a Victorian woman, therefore, Hardy is bringing into question Victorian Patriarchal morality. Hardy further brings into question Victorian patriarchal morality, by Lucettas opprobrium in Jersey, and evoking to the reader how she has changed through that experience. Through Elizabeths eyes, the reader sees that Lucetta has a public persona of sophistication which is false. : For example, upon first seeing Lucetta, Elizabeth allowed herself the pleasure of feeling fascinated, the omniscient narrator further commenting that The stumpy and practical walk of honest homeliness which mostly prevailed there, the two styles of dress whereabouts equally avouched that this figure was no Caster bridges womans which highlights Lucettas false public persona of sophistication, a result, of yet again, Victorian patriarchal morality. Hardy, however, portrays the harsh reality of Victorian patriarchal morality through the fact that she has manipulated and concealed the truth. In one of the early letters she writes to Henchard, Lucetta writes I thus look upon the whole as a misfortune of mine, and not a fault of yours. So that, Michael, I must ask you to overlook those letters with which I pestered you day after day in the heat of my feelings. This clearly evokes that her reputation is in ruins, and her response to this shows that she has learnt the values, and knows that if she breaks them, there will be social repercussions, therefore, she only asks for the letters to protect herself from further public humiliation. Hardy further emphasises his dissatisfaction with Victorian patriarchal morality through Lucettas tragic destruction by the skimmity ride. According to critics, this idea is indeed rather collusive with Marxist theories, as the Casterbridge proletariat become avenged in folk-ritual, planning the skimmity ride, which triggers an epileptic fit in Lucetta. Furthermore, feminists would argue that her manner of death by falling to the floor in epileptic seizures could be reductive in itself, portraying that women were viewed as emotionally weak. This also creates a contrast to Elizabeth-Jane, as she is a stronger, stoic, and an emotionally stronger character when compared to Lucetta. Therefore, Hardy is bringing into question Victorian morality through Lucettas suffering. Hardy further encourages the reader to echo his cynical view on Victorian patriarchal morality by employing an effective use of setting. Lucettas place, High-Street Hall is rich in symbolism, effective in conveying Hardys dissatisfaction with Victorian patriarchal morality. For example, Hardy writes It was not altogether aristocratic, still less consequential, yet the old-fashioned stranger instinctively said blood built it and wealth enjoys it. The latter part of Hardys comment, suggests the oppression of poor people, which is rather collusive, yet again, of Marxist theories. Furthermore, the house is clearly allegorical of Lucetta herself. Its location so near the centre of town suggests that Lucetta is thrown into the heart of the novel, by this point. Hardys intricate description of High-Street Hall further highlights the intrigue that Lucetta brings to the novel. Hardy starts of his description of the Hall by writing The Hall, with its grey facade and parapet was the only residence of its sort so near the centre of town, and the facade is not only capturing Hardys own clear interest in intricate architecture, but it also clearly symbolic of Lucetta, and her mysterious and sophisticated character. The intrigue of the ever-looming shadow of her past is further shown through words such as stranger, which accentuates the mysterious nature of her past with Henchard. Therefore, through symbolising Lucettas suffering through the house, Hardy is revealing how she has indeed suffered because of patriarchal Victorian morality However, feminists argue that Hardy fails to overcome the ideology of Victorian patriarchal morality. His description of Victorian women, like Elizabeth and Lucetta is very aesthetic-oriented. For example, he describes Lucettas appearance as an artistic perfection focusing highly on her looks. This shows how Victorian women (especially middle class) were expected to look perfect. Feminists would argue that Hardys aesthetically-oriented narrative of women is degrading in itself; therefore, he remains collusive with the ideology of Victorian patriarchal morality, making the statement agreeable. Overall, this statement can be agreed to a great extent. Lucettas character brings light to the fact that Casterbridge is after all, a society of twisted morality. The skimmity ride is the ultimate shameful act which destroys Lucetta, showing that the ever-looming shadow of her past she is not really accepted in Casterbridge, and she does suffer opprobrium. Therefore, Hardy is revealing his dissatisfaction with Victorian Patriarchal morality. The statement is further agreeable, because through the aesthetically oriented description Hardy does ultimately fail to overcome the ideology of Victorian patriarchal morality.

Caesar Sat on the Dais

Caesar Sat on the Dais Caesar Sat on the Dais Caesar Sat on the Dais By Maeve Maddox The words Caesar and dais are not exactly everyday words, but when they do appear in stories or news items, they are often misspelled. The problem with Caesar is that the English pronunciation is /see zer/ so the English speaker wants to put the e directly after the C. I learned how to spell it when I took high school Latin. I liked writing the AE as a digraph (two letters written as one). My Latin teacher didnt mind, but my English teacher hated it. Indeed, my love of the joined AE influenced my adoption of the name Maeve. The error with dais is to reverse the vowels. I first encountered dais in stories about King Arthur. At every feast, Arthur and Guinevere were seated on a daà ¯s. English doesnt generally make use of accents, but with a few words, like dais, the diaeresis (two dots over the letter), is an aid to pronunciation since it tells the reader that the second vowel begins a new syllable: daà ¯s, a platform raised usually above the floor of a hall or large room to give distinction or prominence to those occupying it coà «val, of the same or equal age or antiquity naà ¯ve, marked by simplicity Boà «thius, author of Consolation of Philosophy Charlotte Brontà «, author of Jane Eyre Zoà «, popular female name from Greek, meaning life giving Bettà « Davis (1908-1989), liberated woman who created a new kind of screen heroine. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Spelling category, check our popular posts, or choose a related post below:12 Signs and Symbols You Should KnowThe Many Forms of the Verb TO BEHow Do You Determine Whether to Use Who or Whom?